1. Coincidence Departure: Quadrangle Congruent with “III. Phases” / Opening of First “II. Pivot”
2. Continuation and Closing of First “II. Pivot”
3. Mixed Procedures #1
4. Mixed Procedures #2 / “IV. Distant Hocket”
5. Mixed Procedures #3 / “VIII. Bass Shake”
6. Mixed Procedures #4
7. Mixed Procedures #5
8. “I. Breaths” / “VII. Distributed Waltz” / Mixed Procedures #6
9. Mixed Procedures #7
10. Mixed Procedures #8
11. “I. Breaths” / “IV. Distant Hocket”
12. “IX. Low F Phase & Chorus”
13. Mixed Procedures #9
14. Indexed Fraction A
15. Mixed Procedures #10 / “VIII. Bass Shake”
16. Mixed Procedures #11
17. Mixed Procedures #12 / Reed Moments
18. More Reed Moments / Opening of Second “II. Pivot”
19. Indexed Fraction B
20. Downcourse Continuation of Second “II. Pivot”
21. Turningpoint and Upcourse Continuation of Second “II. Pivot”
22. Upcourse Continuation and Closing of Second “II. Pivot” / “X. Low G Phase & Chorus”
23. Coincidence Withdrawing
24. Incidence Withdrawn

Information about the original performed installation can be found here.

Vinculum (Coincidence) includes the recordings S-1 02.01 004:44, S-1 03.01 005:36, and T-M 01.01 003:50 from Vinculum, Coppice’s archive of sonic artifacts. The studio arrangement for CD was developed between May 2011 and November 2012. The accordion duo score recordings were engineered by Todd A. Carter in June 2011 at Experimental Sound Studio in Chicago.

Thank you to Maritza Bautista, Chelsea Culp & Ben Foch, Rodion Galperin, Guillermo Gregorio, Emily Green & Nick Wylie, Meg Kramer, Marinos Koutsomichalis & Akis Sinos, Julia A. Miller, Jenny Vallier, Tricia Van Eck, and to the audiences that varied and constellated the composition.

• Format: Limited edition of 100 red CD-R’s in plastic jacket stuffed with nesting booklets and sticker
• Label: Agxivatein ‎(#13)
• Artwork: Coppice
• Including: Acoustic Filters, Accordions, Free Reed Boxes
• Date: December 2014